Two pedals, built by hand at one workbench in Waynesville, Georgia. Built by a working musician, for working musicians — every control has a purpose, so you spend less time turning knobs and more time making music.
A low-gain overdrive with warmth to spare. DRIVE sets how hard the front end works, TONE and ACCENT shape where the bite lands, and VOLUME does exactly what it says.
Two switches turn one pedal into four. BRIGHT/NORMAL opens the top end up for darker amps.
One knob. It's called JUICE, and it does what you think it does. No menus, no fine print — just fuzz, from a whisper of hair to full saturation.
The GE/SI switch chooses the clipping diodes doing the work: germanium for soft, vintage give — silicon for a harder edge that cuts through a full band.
Analog or digital — neither one is better. There's a valley between them that hasn't been fully explored, and that's where Dixon FX lives. Old ways of doing things, pointed at new sounds. No tribes, no dogma — just tone, both old and new.
Dixon FX is a one-builder shop in Waynesville, Georgia. Every pedal that leaves the workbench represents hours of building, testing, listening, and fine-tuning. Nothing here comes off an assembly line.
Whether a pedal ends up playing smoky bar gigs, Sunday mornings, studio sessions, or late nights in the garage, it ships with the same hope — that it becomes a trusted part of your music for years to come.
Open the backplate of any Dixon FX pedal and you'll find the ink stamp, the builder's name, and the date it was made. Before it ships, a second set of hands checks every fitting, knob, and jack — then plays it. Every prototype gets built, gigged, and rebuilt until it earns its name.
